{"id":2733,"date":"2024-06-23T15:57:22","date_gmt":"2024-06-23T13:57:22","guid":{"rendered":"https:\/\/atou.fr\/?page_id=2733"},"modified":"2026-04-24T16:07:56","modified_gmt":"2026-04-24T14:07:56","slug":"island-without-sea","status":"publish","type":"page","link":"https:\/\/atou.fr\/en\/projets\/island-without-sea\/","title":{"rendered":"Island without sea"},"content":{"rendered":"
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Island without sea<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"BR_IWS-Festival-contre-sens_DSC0629\"<\/figure><\/div>
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Ann\u00e9e de cr\u00e9ation :<\/strong> 2023<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Dur\u00e9e :<\/strong>\u00a060mn<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Type :<\/strong> Cr\u00e9ation directe<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Pr\u00e9sentation<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Le projet<\/span> \u00ab\u00a0Island<\/span> Without Sea\u00a0\u00bb est n\u00e9 de la rencontre entre Anan Atoyama et Lonais, un fran\u00e7ais engag\u00e9 aupr\u00e8s des <\/span>migrant.<\/a>es en Gr\u00e8ce depuis 2020, qui a v\u00e9cu pendant plusieurs mois dans le camp Moria sur l\u2019\u00eele grecque de Lesbos. Ce camp, pr\u00e9vu \u00e0 l\u2019origine pour 3000 personnes, a compt\u00e9, en r\u00e9alit\u00e9, plus de 20 000 hommes, femmes et enfants, priv\u00e9.es de nourriture, de soins et des droits les plus \u00e9l\u00e9mentaires, dans des campements de fortune \u00e0 l’insalubrit\u00e9 g\u00e9n\u00e9ratrice de terribles violences physiques, affectives et existentielles. Mais Lona\u00efs a aussi \u00e9t\u00e9 t\u00e9moin de r\u00e9silience et de dignit\u00e9s remarquables.<\/span>

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Island Without Sea\u00a0\u00bb prend la forme d’une \u0153uvre pluridisciplinaire o\u00f9 les r\u00e9cits de vie des migrant.es<\/a> et les recherches scientifiques sur les migrations sont int\u00e9gr\u00e9s dans une approche chor\u00e9graphique. Cette d\u00e9marche permet d\u2019explorer des th\u00e8mes comme la perte, l\u2019exil, la r\u00e9silience ou encore l\u2019espoir \u00e0 travers le corps, la po\u00e9sie et la musique. Le projet ne se limite pas \u00e0 une simple performance chor\u00e9graphique : il implique directement le public, en l’invitant \u00e0 participer activement aux performances.<\/span><\/div>\n
La proposition chor\u00e9graphique, \u00e9crite par Anan Atoyama, est pens\u00e9e comme un moyen d\u2019approcher le monde et de cr\u00e9er des liens entre les participant.es<\/a> et les r\u00e9cits des migrant.es<\/a>. Le public est invit\u00e9 \u00e0 suivre les consignes donn\u00e9es par l\u2019artiste en temps r\u00e9el, tout en laissant libre cours \u00e0 son interpr\u00e9tation personnelle et \u00e0 l’inspiration collective du groupe. Ce processus participatif permet \u00e0 chacun.e de se questionner et de s’impliquer dans une recherche commune, sans se focaliser sur la recherche d\u2019une solution unique ou d\u00e9finitive. Les interactions sont renouvel\u00e9es \u00e0 chaque performance, cr\u00e9ant une dynamique de d\u00e9couverte et d’exploration qui \u00e9volue au fil du temps.
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Pour Atoyama, l\u2019essence du projet r\u00e9side dans ce processus d\u2019exploration collective. La finalit\u00e9 n\u2019est pas de pr\u00e9senter un spectacle abouti et fig\u00e9, mais de donner aux participant.es<\/a> l\u2019opportunit\u00e9 de vivre une exp\u00e9rience personnelle et transformatrice. Chaque personne qui s\u2019implique dans \u00ab\u00a0Island Without Sea\u00a0\u00bb peut ainsi participer \u00e0 une cr\u00e9ation directe – une forme d\u2019art en perp\u00e9tuel mouvement, o\u00f9 les \u00e9motions, les r\u00e9flexions et les interpr\u00e9tations individuelles se m\u00ealent pour cr\u00e9er une oeuvre collectif par des rencontres uniques et \u00e9ph\u00e9m\u00e8res.<\/span><\/div>\n
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\u00ab\u00a0<\/span>La question des migrants et des r\u00e9fugi\u00e9s est tr\u00e8s complexe. Je me suis rendue \u00e0 Lesbos pour <\/i><\/span>essayer de comprendre la situation, mais j’ai \u00e9t\u00e9 encore plus d\u00e9sorient\u00e9e. <\/i><\/span>J’ai \u00e9t\u00e9 constern\u00e9e et effray\u00e9e par un syst\u00e8me o\u00f9 la corruption est si r\u00e9pandue qu’il n’est plus <\/i><\/span>possible de fonctionner sainement, mais j’ai pu y rencontrer des personnes qui travaillaient <\/i><\/span>r\u00e9guli\u00e8rement pour ceux qui avaient besoin d’aide imm\u00e9diate et des personnes avec un pass\u00e9 <\/i><\/span>dont elles ne voulaient pas se souvenir, en gardant la force et la bienveillance int\u00e9rieure. J’ai pu <\/i><\/span>entrevoir la dignit\u00e9 de l’\u00eatre humain et recevoir de l\u2019inspiration, au milieu du d\u00e9sespoir absolu. Le <\/i><\/span>projet n’est pas n\u00e9 pour apporter une r\u00e9ponse intellectuelle \u00e0 cette situation actuelle. Il est une <\/i><\/span>opportunit\u00e9 de rapprocher, d’une mani\u00e8re ou d’une autre, ceux qui sont ici et ceux qui ont d\u00fb <\/i><\/span>quitter leur pays, de pr\u00e8s ou de loin. Il est tr\u00e8s d\u00e9licat de s’impliquer dans un probl\u00e8me sans <\/i><\/span>r\u00e9ponse \u00e0 l’horizon, mais je crois que ceux qui viennent regarder et ceux qui participent peuvent r<\/i><\/span>essentir quelque chose en partageant d’abord un temps et un lieu o\u00f9 ils peuvent se sentir en <\/i><\/span>harmonie face \u00e0 un probl\u00e8me qu’ils ne peuvent pas affronter seuls.\u00a0\u00bb<\/i><\/span><\/div>\n
Anan Atoyama<\/span><\/div>\n
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COLLABORATEURS <\/b><\/span><\/span><\/div>\n
Musiciens : Meizar Bakdalia, Paolo De Santis, <\/span><\/div>\n
Danseurs : Francesca Cinalli, No\u00e9 Pellencin, Ennio Sammarco,  <\/span><\/div>\n
Cineastes : Yaser Akbari, Nazanin Foroghi <\/span><\/div>\n
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PARTENAIRES <\/b><\/span><\/span><\/div>\n
Festival Sens Interdit<\/span><\/div>\n
RAMDAM – un centre d’art<\/span><\/div>\n
CCO – la Rayonne, <\/span><\/div>\n
CND – Lyon<\/span><\/div>\n
Universit\u00e9 Lyon 2<\/span><\/div>\n
ENSBA – Lyon<\/span><\/div>\n
ENM – Villeurbanne<\/span><\/div>\n
Complexe Line Thevenin<\/span><\/div>\n
Espace Artaud<\/span><\/div>\n
Forum R\u00e9fugi\u00e9s,<\/span><\/div>\n
Cefedem Lyon<\/span><\/div>\n
Sporting Club Villeurbanne<\/span><\/div>\n
Lesbos Solidarity<\/span> (GR)<\/span><\/div>\n
ReFocus<\/span> (GR)<\/span><\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Island without sea Ann\u00e9e de cr\u00e9ation : 2023 Dur\u00e9e :\u00a060mn Type : Cr\u00e9ation directe Pr\u00e9sentation Le projet \u00ab\u00a0Island Without Sea\u00a0\u00bb est n\u00e9 de la rencontre entre Anan Atoyama et Lonais, un fran\u00e7ais engag\u00e9 aupr\u00e8s des migrant.es en Gr\u00e8ce depuis 2020, qui a v\u00e9cu pendant plusieurs mois dans le camp Moria sur l\u2019\u00eele grecque de Lesbos. […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":2705,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2733","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/atou.fr\/en\/wp-json\/wp\/v2\/pages\/2733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atou.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/atou.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/atou.fr\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/atou.fr\/en\/wp-json\/wp\/v2\/comments?post=2733"}],"version-history":[{"count":23,"href":"https:\/\/atou.fr\/en\/wp-json\/wp\/v2\/pages\/2733\/revisions"}],"predecessor-version":[{"id":3786,"href":"https:\/\/atou.fr\/en\/wp-json\/wp\/v2\/pages\/2733\/revisions\/3786"}],"up":[{"embeddable":true,"href":"https:\/\/atou.fr\/en\/wp-json\/wp\/v2\/pages\/2705"}],"wp:attachment":[{"href":"https:\/\/atou.fr\/en\/wp-json\/wp\/v2\/media?parent=2733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}